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入围塔林电影节影评人之选竞赛。 Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院情困双娇贤内助女王安娜日记：罪恶之花因果效应抓马侦探塞琳娜辉夜大小姐想让我告白：天才们的恋爱头脑战 第一季自私的巨人少女之死第一季鸡年寻欢党小组长澳门往事爱你那天正下雨黄金大逃狱如获至宝后天国语隋唐英雄4 TV版爱情悠悠药草香小鬼三个爸陆小凤传奇之决战前后沙之下前妻俱乐部TXQ FICTION 寻找石永菊江我心里的那家伙
入围塔林电影节影评人之选竞赛。 Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院情困双娇贤内助女王安娜日记：罪恶之花因果效应抓马侦探塞琳娜辉夜大小姐想让我告白：天才们的恋爱头脑战 第一季自私的巨人少女之死第一季鸡年寻欢党小组长澳门往事爱你那天正下雨黄金大逃狱如获至宝后天国语隋唐英雄4 TV版爱情悠悠药草香小鬼三个爸陆小凤传奇之决战前后沙之下前妻俱乐部TXQ FICTION 寻找石永菊江我心里的那家伙