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Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院桑拿蜂箱猎杀星期一双子不要离开我传奇王子假面舞会2025古玺追杀令之囧偷来袭弗里敦亲爱的丈母娘黎巴嫩神都洛阳深海怪物看到灵魂的那只眼 师公霸主江湖夜雨终似梦邻家性士第一季狼的召唤暖暖内含光不良医生！第八页橘君抱紧我吧倒带布卢明顿阿诺·施瓦辛格：人生三部曲 Arnold英雄本色2018暴风夜千里走单骑东部海湾
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院桑拿蜂箱猎杀星期一双子不要离开我传奇王子假面舞会2025古玺追杀令之囧偷来袭弗里敦亲爱的丈母娘黎巴嫩神都洛阳深海怪物看到灵魂的那只眼 师公霸主江湖夜雨终似梦邻家性士第一季狼的召唤暖暖内含光不良医生！第八页橘君抱紧我吧倒带布卢明顿阿诺·施瓦辛格：人生三部曲 Arnold英雄本色2018暴风夜千里走单骑东部海湾