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Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院艳窟泪痕神探狄仁杰前传柏林谍影霸王花之捉鬼女天师怪物樵夫壬生义士传三袋米丛林女王我办事你放心文明冲击一路前行受害者1961魔法保姆 （国语版）夜色中的地球第二季致命助理女神大人疯人院大作战因为是你才喜欢小春与猪排继母与女儿的蓝调 2018如果还有明天第一季自由坠落2013世纪疑案：恐怖伊凡觅渡你是星期几出生的红酒烩鸡撩妹法则
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院艳窟泪痕神探狄仁杰前传柏林谍影霸王花之捉鬼女天师怪物樵夫壬生义士传三袋米丛林女王我办事你放心文明冲击一路前行受害者1961魔法保姆 （国语版）夜色中的地球第二季致命助理女神大人疯人院大作战因为是你才喜欢小春与猪排继母与女儿的蓝调 2018如果还有明天第一季自由坠落2013世纪疑案：恐怖伊凡觅渡你是星期几出生的红酒烩鸡撩妹法则