剧照
剧情介绍
夜行客电影免费高清在线观看全集。
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院美式小酒馆迷失 第二季刑侦风云圣兽学园古道热肠戏说台湾之双生鲤魚王浴血擒魔执行利剑当我们谈论树的时候终极密码战国语戆星先生坦纳大厅我是杀手女仆战地神探 第三季布朗神父 第三季绿山墙安妮球手们 第二季老夫子2001皮利亚爱情舞台独居生活镜之孤城爱有多远我的情敌是自己火线出击上伟大的逃兵
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院美式小酒馆迷失 第二季刑侦风云圣兽学园古道热肠戏说台湾之双生鲤魚王浴血擒魔执行利剑当我们谈论树的时候终极密码战国语戆星先生坦纳大厅我是杀手女仆战地神探 第三季布朗神父 第三季绿山墙安妮球手们 第二季老夫子2001皮利亚爱情舞台独居生活镜之孤城爱有多远我的情敌是自己火线出击上伟大的逃兵