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Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院浮生情缘纽约女郎乡下情亲密玩家蜜吻情缘必杀仕事人赤血营救家有喜事1992（国语版）鬼纳特归来我的离婚派对鬼敲门法国四日命运/冠位指定 绝对魔兽战线巴比伦尼亚机械师2004入侵脑细胞巨人族的新娘边境2014我仍在此2024青春四十战国红颜人民公仆 第一季点指贼贼疑犯追踪 第四季杀戮疑云九门弗朗西斯·弗格森说谎的人第一季
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院浮生情缘纽约女郎乡下情亲密玩家蜜吻情缘必杀仕事人赤血营救家有喜事1992（国语版）鬼纳特归来我的离婚派对鬼敲门法国四日命运/冠位指定 绝对魔兽战线巴比伦尼亚机械师2004入侵脑细胞巨人族的新娘边境2014我仍在此2024青春四十战国红颜人民公仆 第一季点指贼贼疑犯追踪 第四季杀戮疑云九门弗朗西斯·弗格森说谎的人第一季