O somma luce

HD中字

主演:Giorgio Passerone

类型:电影地区:法国语言:其它年份:2010

 量子

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 无尽

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 非凡

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 剧照

 剧情介绍

O somma luce电影免费高清在线观看全集。
  转自:http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub  “The end of paradise on earth.”—Jean-Marie Straub  The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.  “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.  In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.  So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.  During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.  The mise en scène of what words exactly?  The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.  Is “Straubie” Greece?  This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院爱在黎明破晓前刻薄女孩第一季附注:我爱你(粤语版)疯狂伊萨克我的朋友安德烈稻草人1973不是钱的事2016幽冥巴士杀人者的记忆法地道英雄鳕鱼角 第二季断线2022姆明:漫游蓝湾大路 意大利版鼠来宝2:明星俱乐部国语女忍者椿的心事飓风2023难忘初恋情人1972国家地理:河流与生活系列长江上海的女儿都市男女的爱情法则心连心比利小子 第三季 第三季王牌罪犯aespa:世界巡回演唱会电影跨国大追捕:我是警察苏苏之恋遇见你真好

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主角5个小时前坐我旁边抽完雪茄还冲我坏笑笑个毛

8分钟前
  • sink3000ing
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不懂。。

13分钟前
  • 熊猫神菁
  • 还行

待研究

18分钟前
  • hitlike
  • 还行

Meilleure solution contre l’insomnie. Pas totalement inintéressant mais ce genre de film-essai indigeste n'est pas fait pour la salle.

21分钟前
  • KUMA
  • 较差

可惜没赶上Ranciere场

25分钟前
  • motongg
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坐立难安,心潮澎湃

27分钟前
  • Voiello
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m

28分钟前
  • 瞌睡重
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不评价

32分钟前
  • 看不见的城市
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这所谓的无意义恰恰成为了一种意义

33分钟前
  • Evilly ☣
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6。瓦雷兹的全集似乎听过,诗歌欣赏不能

36分钟前
  • Mannialanck
  • 还行